John Zorn –
The Book Of Heads
1995,
United States
00:56:02;
64M;
160JS;
320;
-
Edute 1
- 2:44
-
Edute 2
- 0:32
-
Edute 3
- 0:39
-
Edute 4
- 2:04
-
Edute 5
- 2:46
-
Edute 6
- 1:02
-
Edute 7
- 2:36
-
Edute 8
- 1:25
-
Edute 9
- 1:10
-
Edute 10
- 0:30
-
Edute 11
- 2:04
-
Edute 12
- 1:51
-
Edute 13
- 2:18
-
Edute 14
- 0:38
-
Edute 15
- 1:57
-
Edute 16
- 1:27
-
Edute 17
- 0:46
-
Edute 18
- 0:27
-
Edute 19
- 0:42
-
Edute 20
- 1:20
-
Edute 21
- 2:20
-
Edute 22
- 1:51
-
Edute 23
- 3:08
-
Edute 24
- 1:52
-
Edute 25
- 0:58
-
Edute 26
- 0:37
-
Edute 27
- 1:29
-
Edute 28
- 3:08
-
Edute 29
- 2:10
-
Edute 30
- 2:50
-
Edute 31
- 1:09
-
Edute 32
- 1:30
-
Edute 33
- 1:22
-
Edute 34
- 1:18
-
Edute 35
- 1:22
Jason Baker - recorded by
Ikue Mori - design [cover design]
Marc Ribot - guitar [solo]
Allan Tucker - mastered by
John Zorn - artwork by [cover collage], composed by, producer
Recorded March 19, 1995 at Shelly Palmer Studio, NYC.
Mastered at Foothill Digital.
On Étude #8, Ribot plays a six-note melody while dragging a violin bow across the strings.
On #14, he plays a few random notes for thirty seconds.
On #16, he knocks on the body and plays a few bent notes.
On #21, he sounds like he's pulling the guitar apart, string by string.
On #23, the acoustic guitar becomes electric — and it sounds like a power drill.
(The drill sound returns on #27, a very violent track.)
On #32, he plays different musical styles — funk, surf, and rock and roll.
Tzadik, TZ 7009
Composer Series, TZ 7009
